When Sholem Asch’s most controversial play, God of Vengeance, hit the New York City stage in 1923 the reaction among those who felt offended was so intense it shattered the lives of the writer, the actors, and producers.
Reviews & Previews
An unpredictable cast, and a fickle audience, and has his hands full trying to get them to “follow the script.”
“We’re not flies on the wall merely watching the miraculous birth of a new relationship; we’re falling in love too in this uniquely shared theatrical experience.”
The competition between aspiring young ballerinas for the lead role and the perception of an uneven playing field is the essence of Reaching for Starlight.
The evening will culminate in a major announcement by Barry F. Lorenzetti, president ofMJJ ENTERTAINMENT, concerning an exciting new theatrical venture.